Rosario + Vampire 10

(Moved from the comments to the previous episode)

5:42 mark. UGH. I hate combatus interruptus. Bad, bad, bad. We’re left to imagine the results of the fight. Oh, and just how did Tskune recover?

So far, none of the rest of this is making sense. Huge logic gap: If Ruby doesn’t know that Tskune is a human, then why did she attack him, when he was obviously a friend of Yukari’s? And if she does know he’s human (how?), why hasn’t she clicked to the fact that the others don’t seem to know?

So far, anime quality still seems to be up. Any hint of intelligence is down.

7:05. Whoops, I spoke too soon about the quality. Haven’t seen that much freeze’n pan since Mizore iced up the pond.

10:00: Correction, it’s better art, but lousy animation. By which I mean, more detail and improved “concept” but it’s still just a bunch of damn frozen pictures.

—————————

Ok, i got interrupted and wasn’t able to finish it for an hour.

That was bad. Up until Gin-sempai showed up, I was asking myself if I thought it was bad because I was comparing it to the manga. I was mostly of the opinion that it wasn’t just the manga; it probably was just bad, thanks to the beginning and total lack of explanation. It felt like a half-episode had been chopped out, right there. And the whole “Norman” thing was a rip. But maybe I was being too harsh…. then Gin stepped off the bus carrying an unconscious Ruby.

And that sealed it — thumbs down for the series. It’s been hard to forgive them for the crappy artwork when drawing pretty girls, but now it’s just painfully obvious that Gonzo is out of ideas and out of time. The only thing good about this episode was watching Chu get his just desserts, multiple times.

I was going to give them a bonus mark for dropping the extended “change sequence” for Moka in 9 & 10 — then I realized that it was a necessity, not a virtue. Moka wasn’t in her usual school costume, which would mean animating a change sequence to be used once. No, can’t have that kind of budget waster, can we?

Feh. Is KimiAru ready for download?

Posted in Fansub Review, Snap Reviews | 10 Comments

Rosario + Vampire 9

Well, the turn we’ve been wondering about may have finally arrived. 95% of the episode was cute and fluffy (and they might have finally bumped the animation up a notch–about time). Then in the last thirty seconds, all hell broke loose.

Arguably, until now, Gonzo has not made large changes to the continuity. They’ve re-ordered some events, and put people where they weren’t previously, in order to support the revised timeline, yet they have not deviated with an event that completely challenges canon. Until now.

But first, some cheesecake, because Gonzo thought it would be a lot more fun if the summer vacation involved a trip to the beach, instead of camping in a hotel room!
Continue reading

Posted in Episode Reviews, Fansub Review | 7 Comments

Spring 2008

I don’t have time to do the season justice; this is really a comment I started at Chizumatic. As usual, it got away from me.

With the exception of Code Geass 2, Steven pretty much described my reactions to everything. As for CG, the attraction to me is that I’m not watching a drama, I’m watching a badly choreographed disaster farce crossed with Hamlet crossed with Jerry Springer. I mean, if you just said to me “Hey, want to watch cars crash?” I’d probably go, “eh?” But if you said, “hey, lets go to the demolition derby!” I’d go, “Cool! Got earplugs?” It’s all in the presentation….

RD Sennou Chousashitsu: GITS ripoff is what I thought. Then I saw that it’s written by the same guy that did GITS, Shirow whatshisname. Guess he decided to file the serial numbers and try to pass it off as something new.

To Love-ru: Somehow, I keep thinking there’s a bit of UFO Princess Valkyrie in it. Which is odd, since I haven’t seen that series. Maybe it’s the whole “marriage” angle. Oh well, I’m guaranteed at least one good fanservice series this season, what with two doggie-girl shows (whatever happened to catgirls?) and one show that might even have an androido meganekko meido. (You know, I almost named this blog Mahou Androido Meganekko Meido, just for the absurdity overload. Fortunately, Steven talked me out of it.)

Maid-Guy? “Hayate, phone call on line three from someone named Nagi…” The text almost makes it sound interesting. Almost. The art sends me screaming from the room. Which is annoying because this room is where my computer is.

Yeah, unless there’s a surprise announcement of Melancholy season 2, spring is looking a bit weak.

Posted in Fansubs, Random Nonsense, Snap Reviews | 6 Comments

Shana II, Episodes 19 & 20: Why call it GAR?

Got caught up tonight. I have to say, that while I will not forgive this series for wasting a dozen episodes on high-school hijinks and angst, nor will I give it a good score for the same reason; it has finally gotten off its ass and started kicking some instead. Yuuiji mans up, gets his act together, and lays down some serious smack on a small Tomogara. There’s nothing left of it when he’s done. When the calvary comes flying in, it’s more a matter of him saving them, as he’s figured out the enemy plan. With his information, they put paid to second tomogara. And then the wheels come off, because there is a third. And this one seems to be damn near unkillable.

Sabrac is his name, and he is an assassin among Tomogara — and the reason that the Reiji Maigo is not still a part of Johann. By the end of episode 20, he is the first villain in this series that I have really feared, since Friagné. He may not be as frighteningly insane, and he isn’t nearly as well-rounded (if you could call that madman “well-rounded”). In fact, he’s almost a one-dimensional killing machine. His sneaking admiration for Wilhelmina’s ability to hold him off, and a couple of mannerisms save him from being another Gauron (FMP) though. Make no mistake — admire her or not, he plans to kill her. And so far, he’s well on his way to doing that, having taken Shana and Marjorie (and a fair chunk of Misaki City) out of the battle with his opening attack.

All in all, I’m really looking forward to episodes for the first time since ep.2. The series is still managing to nod towards it’s angsty roots, but manages to keep the action going enough to be interesting.

Now all that is just so I can toss this observation in. In some quarters, the concept of “GAR” has been gaining traction. Endless discussions: What is GAR? Who is GAR? Kamina is GAR. Yuuiji is GAR. Is Lelouche GAR? Mako-cakes wouldn’t know GAR if it bit him on the ass.

I consider this a bunch of nonsense, indicative of the decline of Western Civilization. I read all the GAR this and GAR that, and I scratch my head. I don’t understand why it has to be so complicated. Why do we have to invent absurd terms and throw in a lot of gobbledygook to describe, explain, and/or justify what it means to be a man?

Not “a male.”

Not “masculine.”

A. Man.

Color me old-fashioned, color me reactionary. Maybe I read too damn much RAH when I wad growing up, but I seem to recall there was a time when, if you asked ten men, “if forced to make a choice, would you rather be a live mouse or a dead lion?” nine of the ten would answer, “dead lion.” And at least four of them would stipulate that their foe would be equally dead, under their bloody claws. Even if, in the pinch, three or four of the nine might suddenly choose to be live mice after all, they’d never admit it to themselves ahead of time, for shame.

Today, I don’t think that would be the case. Sometimes I feel like today’s proportions would be one “dead lion,” six “live mice,” and three tedious lectures on how the question indicates the asker is part of an outmoded, jingoistic, male-centric philosophy geared to the oppression of women, minorities, and persons of non-Christian faith.

Whatever. Thank God (or the deity you may or may not believe in) that we’ve still got that one lion willing to defend us.

There’s an old phrase that has been turned into a joke, as a part of eviscerating Western manhood: “A man’s gotta do, what a man’s gotta do.” The original: I know this–a man got to do what he got to do. John Steinbeck (1902 – 1968), The Grapes of Wrath (1939)

Before that was reduced to a not-very-funny example of humor, it encapsulated the entire concept. If you want to be a man, not a sniveling, narcissistic trash heap of self-gratifying, self-justifying, cowardly relativism, then there are things you just have to do whether or not you want to do them. Whether it’s sucking it up and standing by your word even if it costs you, or bringing down the temple walls, or standing with 299 of your best friends in a pass, hoping for relief that isn’t coming while the bodies pile up around you. A man sees what needs doing, and does it. Maybe he does it with style, maybe he doesn’t. Maybe he has panache, maybe he doesn’t. But he does what he does, because he can’t not do it, and still be a man.

Have we become so unfamiliar with the concept of being a man, that we do not even recognize it anymore? Has it become so anathema to our society that we have to sneak it back into vogue under a new guise? Is being a man (and I will state for the record that the definition absolutely does include women) so unusual that we have to give it a new name and enshrine it, almost as a revolutionary ideal?

What kind of man would sneak around in such a manner, instead of declaring himself for all to see?

Since the original phrase has been made an object of ridicule and a joke, perhaps we need a new one to describe manhood, and I for one, would like to nominate one of the variants used by a favorite author of mine in several of his works:

“Here I stand. I can do no other.”

Cut to the chase: GAR = MAN, and be done with it.

Posted in Fansub Review, Random Nonsense, Snap Reviews | 3 Comments

Rosario + Vampire: Season 2 in the Works?

In the comments here is a completely unsubstaniated bit of info that R+V will have a second season. (Warning: Episode 9 spoilers).

After watching episode 8, I considered it highly likely. They are still following the manga, but some of them are filler episodes, with no hint that they are in a hurry to get to the main antagonists shown in the ED. Episode 9, for those of you who have read the manga does indeed introduce Rubi, and the comments at the above link would seem to indicate that it is going to be a two-parter. It almost has to be, based on the length; it will take one episode for the summer vacation (even if they drop Yukari’s battle) and one for the final battle, which should be a humdinger. I could see it going three episodes, if they keep the entire storyline intact: Witches Ranch, Getting to Know Rubi; Showdown (not the real titles).

Chapters 18 and 19 were rolled together into episode 7, which shorted Mizore a bit. Episode 8 was about Ririko-sensei. If 9 and 10 are a two-parter, then theoretically, that could leave 11-13 for the build-up and showdown with the main antagonists. That’s possible. If Rubi’s plot is a 3 parter, then we’re pretty much assured a second half-season.

Chapters 8, 9, and 10 of the manga involve the “Public Safety Commission” and IMHO, the manga-ka failed to deal with most of the members. It’s going to be hard to pack all three chapters into only two episodes; three is pushing it, especially if they fix his error.

On the other hand, if this is a 26- episode series, the pacing will definitely stagger somewhat, unless the PSC conflict is dragged out through about episode 15. Of course, it could be an odd number like 22, or 24. Well,those are even numbers, but you know what I mean.

One possibility is that they planned for 13 episodes, and the Witch Hill episodes would have been the end. But the series proved popular enough in Japan that they greenlighted the second half after four or five episodes were broadcast; hence the sudden change in OP and ED.

My only major complaint is how cheap the animation looks. They really need to up the budget a bit.

Posted in Fansub Review | 6 Comments

Cantaloupe Slicer or Somesuch… (Animé Fansubs XI)

Pumpkin Scissors is a stupid name for both a show and a military unit, but it drew me in for a while with a mix of action, political intrigue, Central European flavor, and setting. The military technology of this alternate world has advanced to perhaps early WWII (top of the line tanks appear to have 75mm short-barreled guns), though I’ve seen no aircraft. The Empire and Republic didn’t really settle anything with their cease-fire and armistice three years ago, but the Empire is in ruins, and “war relief” in the ruined countryside is the mission of the Pumpkin Scissors unit. They are three (later four) soldiers, led by the noble (and naive) Lt. Alice Malvin, who travel around the country doing everything from heading up the rebuilding of railroad tunnels to bringing bandits and renegade nobles to heel.

The character designs are unique; no bishie boys or pretty girls here, except perhaps for Alice, but she’s a fish out of water in the army. The artwork is strongly evocative of post-WWI Europe, in ruins. The tanks and cars are boxy designs that give off a distinctly central european flavor, strengthened by liberal use of German and Russian terms. It didn’t seem to be the usual animé series at all, and I followed it for a while when it came out in fansubs.

The problem was, that while the trappings were non-standard, the elements were cliché. Lt. Malvin was just too simple-minded and overzealous. Heir to a highly placed family, you can see that she’s too honest for the world she’s in. Her supportive boss is too world-weary and cynical, and I have to wonder why her staff isn’t speding time turning in transfer requests. Also, some of the stunts just too unbelieveable when matched up with the ultra-realistic style of the art and animation. What finally got me was the obvious “Evil Conspiricy of Nobles” faced by the main characters, contrasted to Alice’s utter naiveté, and the ignorance of the rest of her staff. Corporal Oland, I could see. He’s just a giant, but gentle country peasant — who was subjected to a horrible experiment the left him with nightmares and the ability to kill a tank with only an oversized pistol. The powers that conducted these experiments are still around — and don’t want to be found. Yet the Pumpkin Scissors unit barely pays lip service to the idea that, hey, someone official might not want them doing what they’re supposed to do.

In episode 4, the tank seiezed from the viscount in episode 2 has been found to have an advanced autoloading mechanism, far more advanced than anything fielded by the major powers. Where did it come from, and why were people willing to kill in order to prevent its secrets from falling into the wrong hands — that is, the government’s? Just how many secrets are there behind “the invisible 9’s,” the military units that didn’t exist? Corporal Oland belonged to the 901st Anti Tank Trooper brigade, and there was a 903rd Chemical Tank Troop… what else is out there, and what hellish experiments have they conducted? Sergeant Major Machs, Lt. Malvin, and the rest of the team see Corporal Oland in action from up close…and Machs is terrified by a man who can save his life by single-handedly killing a tank with an oversized pistol — even if it does put the corporal in the hospital for a month. Oland’s nightmare sequences are creepy, and it’s evident that what was done to him has extracted its own cost.

Given the nature of the show, one would expect the principals to start developing a healthy paranoia, but they don’t do that even after several people near them die in unusual circumstances. I finally gave up when they were driving their car around (in the sewers, no less) and chose to drive right up to a suited figure carrying a flamethrower. Ok, granted they were running from people that had just tried to kill them, but talk about going from the frying pan to the fire!

As I said, I followed it for 14 fansubbed episodes, but eventually I dropped it in annoyance. I bought the 1st DVD as an obligation purchase, but have never been tempted to break the seal. In the end, I think it was Alice that ruined it for me; she had no room for fear or doubt; she was little more than a wind-up toy determined to batter down any brick wall in front of her. I prefer heroines a little less psychotic, and a little more human.

Unless it’s a fun kind of psychotic, that is.

Posted in Series Reviews | 2 Comments

Comment Spoilers and Average Randomness

Well, after some fighting and a lot of people having trouble (well, two), some experimentation shows that the only person who can make spoiler tags with angle brackets work in comments is me. Guests can make them work only with square brackets. Why? I have no idea. Last night I replaced an xml registration file that had a security flaw, but it shouldn’t have had anything to do with comments. Maybe it retroactively altered the permissions everyone else has. Please feel free to try other formatting tags with angle brackets, and see what you can and cannot do. It may be that the more than just the plug-in that governs the [spoiler] tag was modified.

And now since this is a random post, I shall get on with being random.

I don’t have anything profound to say about the death of an industry, but it’s nice that it works for me, a bit. The local Hollywood Video is closing it’s doors, and I found out way too late to snag anything more than the dregs of animé. I passed on Reign and Initial D , but picked up Slayer’s Next (Movie), Cowboy Bebop (The Movie), Spriggan, Steamboy, and Ghost in the Shell: Innocence for just over $40 total, counting tax. Of those, Steamboy is an obligation buy, and Spriggan is a “why the hell did I get that?” buy. Slayers is a “enh, why not?” buy. More stuff to toss on the unwatched pile with Pumpkin Scissors, Haibaine Renmei, and the rest of Ikkitousen. Poor Haibaine, what bad company. Speaking of Pumpkin Scissors for a second, I dusted off an old half-finished article from when it was out on fansub and finished it up. Not particularly detailed; I wasn’t that crazy about it. It will appear in a couple of days.

Poking around on the internet last night, I discovered that Fate/Stay Night had an eroge as it’s origin. I almost would not have guessed that; I had a bit of a suspicion because of the harem elements. I figured dating sim though, not full blown hentai. it does explain that weird fanservice scene in the abandoned house. (Yes, the world really does need more Saber x Rin fanservice.) Apparently, there were only three major paths, and it seemed to be more a matter of who you chose to play as than the choices made (although one was the evil Shirou route.) They chose to follow the Saber route, with a nod to Rin’s, which is why she and Archer got featured so significantly. I hated seeing Archer bite it; he was the coolest of the Servants by far. I’m not going to get into details, but I felt it ended the right way, and eventually, Rin and Shirou will get together, after he gets over Saber. I hope, anyway. Not that Sakura is going to just hand him over meekly. She had a bit more spine than I suspected. More than Kazumi had in the last episode of Shana.

And now that I’ve mentioned The Show That Deserves No Mention, I might as well talk about it, I guess. After 14 episodes of pure dreck (or twelve, depending on your criteria) Shana finally got its ass in gear and started throwing down some serious action. Unfortunately, it not only happened too late, it happened too fast. The action in episode 15 managed to drag worse than a one-wheeled chariot, interspersed with segments where so many things happened so fast, I was left hanging worse than a one-wheeled chariot going airborne after hitting a pothole. Don’t ask me what chariots are doing running around on one wheel and hitting potholes, that’s how confused I was. Even after watching the episode three times, I needed the following episode just to explain what the hell I’d just watched. Upside: Yuiji’s finally gotten serious about training, and plans to leave town with Shana; finally not stringing Kazumi along any further. Downside: Shana’s mad at him for it. Argh. Just shoot me. There’s no way there’s any common sense left in this show. No way. None. (h/t to Jason for the meme.)

Then there’s KimiAru, a.k.a. They Are My Noble Masters. Last episode (6) we got what TV had to substitute for the sex-with-the-lolis scene from the game: Ren gets a kiss on the cheek from both Yume and Natose. Yay. This week (ep.7), what looks to be a lightweight episode involving Rie Tanaka’s character (Ageha) temporarily moving in with the Kuonji family suddenly turns emo in the end. Mihato has shown increasing jealousy as the various women vie for Ren’s attention, but when Ageha makes a serious move on him (stealing his first kiss — and it’s hers too!), Hato is shattered. Ageha may not be playing any more, unless it’s for keeps. Surprise, surprise, Miyu moves in to pick up the pieces with Hato. Is KimiAru trying to develop a plot? And one as echhi as the game, considering that Hato-nee is Ren’s older sister?

I’m a Shinra-sama partisan myself.

Sorry about the lack of screenshots in this post, but I have to run; at least one other post needs to be written tonight, this one political..

Posted in Random Nonsense | 13 Comments