Sorry, but I had to…

write a fifth post about railgun, just to include this link. Bottom of second and middle of the third pages FTW.

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Railgun x 24?

ANN now claims Railgun is a 24 episode series, though they have only air dates for the last ten. Raws of ep. 14 are out, but the Nyaatorrent link was bad when I tried it. Not that I understand enough Japanese to watch it raw, but that’s a measure of how the show has captured my attention, that I’m willing to discuss its physics to death and even watch a raw to figure out where the story’s going…

Update: Mazui posted their subs, and there is a preview for ep. 15.

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And Yet Again, More Railgun/Index Physics

Steven posted his promised discussion about the physics of Touma’s Imagine Breaker power over at Chizumatic. It’s very spoiler-filled, as is my response below. It started as a comment, but just kept going. I don’t know how to characterize it; it’s not exactly an agreement, nor is it a rebuttal. I’m just killing a few more catgirls by pointing out some implications in the worldview. Below the fold, since there’s spoilers.

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A Little More Railgun

So I’m in Dallas, watching Railgun with Dr. Heinous, and I’m picking up on some hints that weren’t obvious before. One of the things that occurred to me is that Uiharu’s power might be related to computers–her hairband of flowers is a red herring. She seems to be unusually powerful, in that she is able to quickly tie together all the CCTV’s across the district surrounding Tokidawa junior high, which amazes her friends. The fact that she is using a keyboard also surprises them. Uiharu remarks that its the only way she can do it so that the system can keep up with her. (I suppose the alternate is verbal programming, although we never see it used elsewhere.)

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Railgun’s Physics and Other Bits

So, I just finished watching episode 12 of To Aru Kagaku no Railgun, and for all that it was a bit talky in the final battle, explaining what we were seeing (as if we couldn’t figure it out ourselves), it was a very satisfying episode. There are still some dangling plotlines, but no loose ends.

We did not get to see what Uiharu’s power is, and that’s the only disappointment.

On the other hand, Mikoto was a tour de force. I lost track of how many ways she used her power in this battle, and every one of them made sense — although one of them was quite subtle. I’m putting them behind spoilers as they give away the final battle.

  1. She threw electrical blasts, of course.
  2. She threw objects to break the monster’s tentacles (she also used lightning bolts to do that, but I’m basing the object toss on the metallic sound)
  3. She used the “iron sands” not just as a whip/sword, but as a hemispherical defense. Surprisingly, it wasn’t solid, but was a rotating series of blades cutting off any tentacles that approached.
  4. She built a shield out of rebar-filled concrete (which she did last episode), but this one was much bigger.
  5. She threw one electrical blast at very high power and sustained it for at least 30 seconds, until the clash with the monster’s shield generated enough heat to cook it.
  6. Of course she used her railgun shot.
  7. She apparently used her electrical blasts as a sensor of sorts, as she knew exactly where to fire the shot that destroyed the core; it was not obvious at all. I assume that the flow of electricity around it was distorted and she felt that.
  8. And the one that really made my eyes pop was when she was thrown at a concrete wall, and should have gone splat. I fully expected her to crater it, then walk away, at which point I would call BS. (There was no precedent for it in the show, which has been pretty good about people being able to take no more than a normal amount of damage.) That’s not what happened — instead as she flew toward the wall, she suddenly flipped about, slowed down, and landed feet-first on the wall, standing sideways.

She’s previously established that she can walk on a concrete wall by establishing a magnetic field around herself and use the rebar in concrete as her anchor point. That only takes one field, around herself, to pull her towards the metal. To do what she did here, she had to generate two fields, one around the rebar in the wall, and one around herself, and make them of the same polarity, so they’d repel each other — and then drop the one around the wall (or reverse its polarity) to stand there.

All in all, my reaction was similar to Steven’s. “No, she wasn’t fighting you seriously, and you better be damn glad of it!”

Now, some speculation, and a few dozen dead catgirls will probably result.

First, what exactly is Mikoto doing? Is she focusing and controlling the movement of electrons, or is she creating them? The latter violates a few laws of thermogoddamics. So we have to assume she’s controlling the movement of electrons and/or magnetic particles around herself. It’s quite possible that she’s using a flow of electricity to create the magnetic fields, but she has to gather those electrons from somewhere; logically, that’s the area around her, which means that she’s concentrating electrons in one area, while stripping them from another.

And that is why she’s always surrounded by a nimbus of electricity when using her powers, tends to knock out electrical devices for blocks around when she cuts loose, and a few sparks always loop around her afterwards. The electrons will always try to flow, like water, “downhill.” Only in this case, downhill is “towards areas that lack electrons” or more accurately, “to areas the Railgun just stripped the electrons from.” This is why she had to warn the doctor away; given the level of blasts she was about to throw, she’d have to drain a goodly area of its electrons, making everything around her have a positive charge, while the target would have a huge negative charge.

A term for these positively charged objects in the presence of an object with a high negative charge might be “anode.” A better one would be “lightning rod.”

Second, given the level of control and power she’s exhibited, she might become capable of replicating Magneto’s trick from X2: killing someone by yanking all the iron out of their blood. Or for that matter, by simply immobilizing their blood, and letting them asphyxiate.

The former suggests that Accelerator should steer clear of her, if she develops this ability — if she got the drop on him, it wouldn’t matter how much repulsion he’s got up. By default, he leaves his defense set to “repel” and anything that touches him rebounds back toward the attacker. But he’s defenseless against someone yanking the iron molecules out of his blood, because even if his power works (not a given), the effect will be to make the iron just take off in the opposite direction. It would be just as deadly — his capillaries are shredded by millions of iron molecules. So then he’d have to spend his remaining moments of consciousness keeping his blood flowing properly…assuming his brain hadn’t been similarly perforated, which it would be.

And let’s not even think about what Kuroko would do to the Accelerator, since anything she’d teleport inside of him wouldn’t actually be moving. No defense he has would be effective against a handful of nails appearing in his brain. Given that Kuroko might go just that far for her Oneesama (if she explained why, and that Judgement was powerless to do anything about it), we have to assume that Mikoto simply didn’t want to bring another person into it. Good assumption given Touma’s difficulty in convincing her he could help.

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Not Much Time

So I’m going to throw out a few thoughts on what I might watch and try to blog next season. This is not a review, which means it’s probably worthless, unless you just like hearing folks think aloud. Or electronically…

Shout outs to the sites that I trolled, looking for information and links to PV’s: Blogsuki, T.H.A.T., and Sea Slugs. All are links to their preview posts, if you want real information, instead of my snarking.

Harukanaru Toki no Naka de 3: Owari Naki Unmei One thing I don’t like: coming into the middle of a story, and man-harems. Right, that’s two things. So, two things I don’t like are coming into the middle of a story, man-harems, and long titles. Wait, that’s three things… Three things I don’t like are coming into the middle of a story, man-harems, long titles, and badly done rip-offs of Monty Python. Wait, that’s four things…and the last one doesn’t fit the show.

Chu-Bra!! Seriously, Japan… are you even trying any more?

Sora no Woto Or is it So Ra No Wo To? I think the first few English reviewers didn’t know how to parse the word boundaries? K-on meets Strike Witches meets… I dunno. Pumpkin Scissors? I really don’t like the downer vibe I’m getting here, man. It really harshes my mellow, know what I mean?

Seikon no Qwaser That just ain’t right. It just ain’t. Far more repelled by the sick stuff than I am attracted by the sexy. Someone explain why sex is censored more than violence these days? Still, half the PV can’t even be shown on TV. If you have to BT it, wait for the DVD rips.

Ladies vs. Butlers Enough already. Zzzzzz….

Omamori Himari This is more like it! I really liked the manga. The women are sexy, the guy in the middle grows a pair, and the humor’s pretty good. Add demon fighting for the action, and if the animation is at least average, we have a winner. Wait, this is Zexcs. And the animé character designs look inferior to the manga Um, well I’ll still watch it. However, from the PV, it looks like it’s all the girls meeting and fighting each other, without the demon angle. I grant, the story didn’t start getting serious until later, but I was hoping for a bit of compression…

Baka to Test to Shoukanjuu The concept is so abysmally stupid, that I didn’t catch the fact that it’s supposed to be stupid. It was probably meant to be more a parody of multiple genres, not derivative of them. Fortunately SILVER LINK, despite their very…uh, modest resumé did understand that, and is playing it anything but straight, if the PV is to be believed. I might actually have to eat my earlier words and give it a try.

Dance in the Vampire Bund This show is disturbing. Not because of the blood and gore, but because I look at the main character and start thinking, “Damn, did I just develop a lolicon?”

Durarara!! What is this, a refugee from Shonen Jump? Not interested.

Hidamari Sketch×☆☆☆ (Hoshimittsu) I still don’t do slice of life.

Ookamikakushi Ok, even if I can’t stand the protagonist of Sora no Otoshimono, AIC has impressed the hell out of me with their animation. They’ve picked up where KyoAni used to be, and are doing a credible job so far. But when I look at the costume of the main female character (seen here), I have to ask, “My God, what kind of budget do you have, that you can animate that for more than three episodes!” Mildly intrigued; it’s got a “peel the onion” vibe that I like, but I may watch it just to see if AIC goes broke by the end of the series.

Nodame Cantabile Finale Hey! Willya turn that damn racket down? I swear, kids these days. How can they call that stuff music? mutter, mutter…. /goes back to sleep.

Katanagatari Count me up as another who is put off by the character designs, but I’ll give it an episode or two to see if it can draw me in.

Hanamaru Kindergarten SHADDAP ALREADY!!!! First it was music, now its a buncha jabbering kindergartners. How’s a guy supposed to sleep around here?

Darker than Black 3 Like I said at the beginning, I don’t like coming into the middle of a story. I may save this set of series for buying fresh/new when it hits R1. I’ve been making more obligation purposes than anything else lately.

Ok, gidouddahere. That’s all I got to waste your time. Gotta go do some other things; I’m overdue already.

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Sad Truth

Overuse of the word posit. Generally rambling. And a complete misuse of the word “arbitrarily.”

Pretty sad that I don’t write nearly as well as I used to just a couple of years ago.

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