Well, as I said, for a while there, I got utterly fascinated by Ah! My Goddess, and ordered the full first season, plus the movie. I also downloaded the 20th anniversary OAV’s, which are often referred to as the third season. In my not-quite-comprehensive-anymore summary (last updated in 2008, I’m overdue), I stated the following:
Ah! My Goddess (TV) DVD’s owned S1 #1-4
Keiichi Morisato mis-dials, getting a powerful goddess as a girlfriendâ€“for life! Then her sisters move inâ€¦. I need to finish this series. I liked it; sweet and romantic, a good â€œcouplesâ€ animÃ© that isnâ€™t sappy, but I really donâ€™t have much use for such a show.
And there it sat for almost three years, until ennui with all the recent seasons drove me back to some of my early anime. Since the thin-pack of the first season isn’t here and won’t be for a bit, I popped the movie in, as it’s not formally set anywhere in the continuity. For those familiar with the manga or series, it takes place about three years after Keichi and Belldandy meet; Keiichi is in his last semester and is moderately well known in bike-racing circles; Hasegawa is the club president, and Chihiro has started her parts store in a converted cargo container. Skuld has her angel, Peorth is in charge of Yggsdrasil, and Chrono is on her staff. Even if you haven’t been a part of the AMG fandom, it’s designed so that you can be introduced to the goddesses and the various characters in the show, so don’t sweat it if you don’t know who I’m talking about.
So, how did I like it?
In a word (or three), I loved it. Art, animation, music, almost everything about it.
I’m not going to summarize the plot here (outside the spoiler tag below) — it’s not terribly deep, but there’s an air of mystery about it until about the mid-point of the show. Some people obviously know the stakes, and some don’t. The important point is that the plot attacks the core of the show: the relationship of Keichi and Belldandy, and the fact that his wish became their wish.
Edit: some side thoughts:
I don’t think it will surprise anyone, given the fundamentally sweet and romantic nature of the show, that
Another place that it shows, and the part I’m going to spend the most time time talking about, is the animation — especially in the middle of the movie. This is where I really went “wow!” watching it. Sad to say, it really points out the flaws and disappointment of the TV series and original OAV’s; the animation of the latter are terribly cheap at times. (In fact, the 3rd season OAV’s resorted to stills-n-panning for the climatic combat sequences.)
Such was not the case in the movie. In fact, while the final showdown in the movie was well done, the truly amazing scenes were in the middle of the movie, and involved a persistent feature of the entire series: racing. I had never seen go-carts like the ones in this movie before the club recruiting scene. They’ve got to be based on real racing carts, because the animator hasn’t been born that can put together anything fictional and make it so obviously right. Even more importantly, the animators went all out with the animation on them. No exaggerated horizon and speed lines vs. a monochrome background here. It’s all shown in such detail that I have to wonder if those scenes were digitally roto-scoped.
The trick to this design is that the carts are mixed-sex, 2-person; the rider is a key member of the team; she rides on her side and is in constant motion during the race, shifting her position from lying on her left side, a centimeter off the pavement to getting on one knee and leaning over the far (right) side of the bike. Screw up and you’re going to get splattered across the pavement at high speed; mis-time a movement, and cost your partner time because your weight’s pulling against the bike’s motion — and a wreck due to becoming unstable in a turn isn’t out of the question. As Keichi says, the driver has to trust the rider and open up the throttle to win. (I’m going to return to this in a moment)
We see the carts used 3 times, and every single time, the motions of the driver and rider are perfect. They are absolutely in sync with each other and the motion of the bikes as they hit the curves. There’s no sense that the animators just took a stab at it and said “pfft. Good enough.”
The screenshots make my point, but they don’t do the scenes justice. Watching the movie, you can feel the g-forces as the riders shift, especially during the third and final time we see them. Morgan has challenged the impaired Belldandy’s fitness, and demands a challenge: Megumi and Morgan team up against he and Belldandy to determine whether Bell or Morgan should be his partner in an upcoming race. Although I’ve only watched the movie twice, I’ve gone back and watched this scene an extra three or four times. How the race ends, and the consequences of it, are a bit surprising, and again, well-done.
That Keichi is willing to bet his partnership with Bell on the results of the race is all the more an indication of his confidence in her and love for her. That she’s willing to do it is an indication of her strength. In this form of racing, her face is literally centimeters from the asphalt; her left shoulderpad is not optional, and if Keichi misjudges a corner, she’ll get a face-full of pylon – or curb- at 30-50 mph. Edit: Faster than that, it seems, though I doubt these are as fast as professional F2 bikes. I was being conservative. Link thanks to Wonderduck.
It’s all the more amazing, given that just a few nights before, Bell’s nerve failed over Keichi’s driving, resulting in a wreck and damage to Keichi’s bike. In a heartrending scene,
A few final notes to wrap this up: While the fanservice of AMG has never been any reason to watch it, there was one scene I found jarring. NSFW:
The packaging was light on extras; only a character summary, but I give high marks to it. There’s no spoilers other than the obvious. As for the dub, I recommend running away at high speed. The weaknesses of the R1 market and industry in this field are apparent. There’s not enough money to hire really good talent; any major animated films figure if they’re going to spend on good talent, they’ll buy marquee names to add “value.” All the performers sound like they’re mailing it in, and the fact that they’re just reading from scripts in various locations (as opposed to working simultaneously in one studio) means the emotional context and interplay isn’t there.
This movie isn’t going to displace Misaki Chronicles as my favorite anime ever, but I think it’s tied it. MC gets the edge for punching my buttons, but this is technically far better and done by a director and writer at the top of their game. Give me a year to think about it and I’ll let you know.
Art and Animation: A+
Voice Acting/Dubbing: A+/D
Plotting and Logic: A –
Storytelling and Pacing: A
DVD/Packaging & Extras: B (one insert, which character descriptions, non-spoilerish.
Overall grade: A Highly recommended.
And tomorrow, I’ll play with some goofy theories about Keichi and Belldandy.